The immersive nature of the sights and sounds made for an unbelievable tribute to the already-classic second album from the band, the one that saw Vernon shed some of his folky roots for something entirely more post-rock and expansive, hinting at the progressive, glitchy band that Bon Iver would become over the next decade. This paired beautifully with stunning visuals that harkened back to the original tour behind the album, with nods to past lighting choices that splattered dramatic color into every song. It might have been the best-sounding live event I’ve ever heard, both pristine during the quiet parts and rumbling when songs exploded. ![]() For this show, they added to the theater’s already impressive L-ISA Hyperreal Sound technology, adding to the permanently installed 2.1 stereo sound system to a 7.1 spatial system, with over 180 speakers total. The first aspect was bolstered by L-Acoustics, the company responsible for the YouTube Theater’s state-of-the-art sound system, as well as the sound of Coachella, Lollapalooza, and countless tours. To experience the band is to experience Vernon’s mind, and bask in majesty of it all.īeyond the endless pursuit to push boundaries, Bon Iver’s live supremacy can be traced to a few key elements: great sound, great visuals, and great songs. Several times during the performance as Los Angeles’ brand new YouTube Theater, he would speak to the audience vaguely about the pandemic and state of the world, eventually concluding that performing is his band’s best way of communicating their emotions. It’s put on a pedestal and acknowledged as a place of magic. From sunrise sets in a cemetery and contemporary dance collaborations to headlining major festivals and starting his own, Vernon takes his responsibility as a live performer with the same seriousness and respect for audience that he takes his music. Since Justin Vernon spent some time in a cabin and made history, his ever-evolving band has made a point to deliver live performances unlike any other. But, let me present an unexpected choice: Bon Iver. From Springsteen’s marathons to Phish’s unpredictability to Taylor Swift’s stadium events, the applicants for the title are around every corner. If you’d like to fulfill Finneas’ aforementioned request, find Bon Iver’s original version of “Flume” below.Who is the best live artist in the world right now? Everyone probably has their own opinion - and heck, maybe I could even argue for Phoebe Bridgers, who I also saw in the last week - and it undoubtedly stems more from personal preference than data and reporting. ![]() Listen to Finneas’ performances of “Flume” and “Medieval” above. And then it’s just a place, or a street, or a park, or a car.” You have a significant experience, and then for some reason, that significant experience is kind of undone. I’d never really heard it put that way, but that’s how all of life kind of feels. ![]() The line is just, ‘A child ignored, these will just be places to me, now,’ and, ‘These will just be places to me, now,’ just hit me over the head when I heard it. In a 2019 Forbes interview, for example, he said, “There’s a line in Bon Iver’s song, “33 ‘GOD’,” which is an awesome song off an album that’s really influenced my production and writing. įinneas has long made it clear that he’s a Justin Vernon stan. Listen to my cover if you must, then go listen to the original again. My apologies to Bon Iver for the unsolicited cover- but I fucking love this song and I’m so glad it exists.
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